‘Gwaith Sŵn’s Sonic Dart broadcasted an example of the Quarrymill soundscape alongside other artist’s work, on Resonance FM on the 1st March 2021. They discussed the contrasting approaches of using field recording as located sound (place), and field recording as sonic material (plasticity). I found it really interesting to listen to the different ways artist use soundcapes. If your curious they recorded the show which can be herd on Mixcloud on the link below
Are There No Birds Singing In The Woods Today?
Listening: In-between Focusing and Blurring
“It is important to relize that focussing on something necessarily blurs something else…” F.G Asenjo
I organised a sound activity for some of the children during the August session of Quarrymill Adventures. Each child was given a sound recorder and headphones, and asked to find and record different woodland sounds. RSPB Volunteer Katie, even helped to make a woodland xylophone for the children to play and record!
I asked one child to record the sound of a bird singing. After a few minutes, the child came running back and informed me that no birds were singing in the woods today. I was slightly baffled and I stopped for a moment to focus on listening for birds. I heard Crows’ cawing, a Robin chattering, and a Woodpigeon cooing in the distance.
“Can you hear the Crows?” I asked. “No, I can only hear the water from the burn and the wind in the trees,” they replied. I needed to focus the child’s attention so I looked up into the trees. I could see a Coal-tit sitting on a branch. “Can you see the bird in the tree? Listen! It is singing?” I questioned as I pointed towards the bird. “Yes, I hear it tweeting and moving on the twig,” the child replied, as they eagerly pressed the red button on the sound recorder.
I began to reflect on the child’s experience of recording sound. I wonder if the sound of birdsong is so frequent; the sound of water and wind so predominant, they could not focus on listening to the bird singing. The action of listening is very different from hearing. Hearing is an ability we are born with; a passive process of our ears receiving signals at a subconscious level and requires very little concentration. Yet, listening is a skill we learn; an active process of interpreting the signals our ears receive at a conscious level and requires focus and concentration.
By introducing a visual element to the child’s perception (the bird in the tree) it allowed the child to focus on the birdsong. The child needed to blur the background noise of the woodland. They turned their body towards the sound. Their eyes located the sound source to help the ears hear and their mind to focus, filter and interpret the signal. This action presented the movement between focusing and blurring. For this child, the whole body was needed to focus and listen to a selected sound. This selective auditory attention is the ability to focus on a specific sound while filtering out other noises, it is also known as the cocktail party effect.
 Asenjo, F. G. (1988). In-between: an essay on categories, Center for Advanced Research in Phenomenology & University Press of America, Washington, D.C. P15
 Cherry, E. C. (1953). Some experiments on the recognition of speech with one and with two ears. Journal of the Acoustical Society of America, 25, 975–979.
‘Teacher, teacher, teacher’
“When we try to pick out anything by itself, we find it hitched to everything else in the Universe.” John Muir
On the 30th of October 2018, I joined RSPB Scotland’s Miranda Shepard, at Quarrymill Woodland Park in Scone. As I walked along the woodland path I wondered what wildlife I would encounter. A flock of ‘excited-child-explores!’ They ran through the woodlands singing the Great Tit’s song. ‘Teacher, teacher, teacher’ echoed through the trees. The children under the guidance of the RSPB are studying four challenges to achieve the John Muir Award.
“Discover, Explore, Conserve, Share”
The sound in our natural environment is a symphony of sounds, an encounter full of experiences, feelings, and gestures. I intend to join Miranda on many more Quarrymill adventures. To observe a child’s experience of wild sounds. I wonder what they will hear? And will I find any in-between-ness here?
 John Muir Trust. (2018). Discover John Muir. Available: https://discoverjohnmuir.com/. Last accessed 1st Nov 2018.